Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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VERSPRONCK, Jan Cornelisz
Portrait des Kanzlers Jehan Carondelet

ID: 90841

VERSPRONCK, Jan Cornelisz Portrait des Kanzlers Jehan Carondelet
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VERSPRONCK, Jan Cornelisz Portrait des Kanzlers Jehan Carondelet


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VERSPRONCK, Jan Cornelisz

b. ca. 1597, Haarlem, d. 1662, Haarlem  Related Paintings of VERSPRONCK, Jan Cornelisz :. | Portrait of a Bride er | Portrait des Kanzlers Jehan Carondelet | Portrait of a Woman er | Portrait of a Man and Portrait of a Woman wer | Portrait of Willemina van Braeckel er |
Related Artists:
Jacek Malczewski
(15 July 1854 in Radom - 8 October 1929 in Krakow) was one of the most famous painters of Polish Symbolism. In his creativity he successfully joins the predominant style of his times with motifs of Polish martyrdom.
John Burr
Scottish, 1831-1893
william holman hunt,o.m.,r.w.s
1827-1910 English painter. He worked as an office clerk in London from 1839 to 1843, attending drawing classes at a mechanics' institute in the evenings and taking weekly lessons from the portrait painter Henry Rogers. Holman Hunt overcame parental opposition to his choice of career in 1843, and this determined attitude and dedication to art could be seen throughout his working life. In July 1844, at the third attempt, he entered the Royal Academy Schools. His earliest exhibited works, such as Little Nell and her Grandfather (exh. British Institution, 1846; Sheffield, Graves A.G.), reveal few traces of originality, but the reading of John Ruskin's Modern Painters in 1847 was of crucial importance to Holman Hunt's artistic development. It led him to abandon the ambitious Christ and the Two Marys (Adelaide, A.G. S. Australia) in early 1848, when he realized its traditional iconography would leave his contemporaries unmoved. His next major work, the Flight of Madeline and Porphyro during the Drunkenness Attending the Revelry (1848; London, Guildhall A.G.), from John Keats's 'Eve of St Agnes', though displaced into a medieval setting, dramatized an issue dear to contemporary poets and central to Holman Hunt's art: love and youthful idealism versus loyalty to one's family. His first mature painting, it focuses on a moment of psychological crisis in a cramped and shallow picture space.






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